Healing Theory, Part 1: Principles

In my last post on healing, I outlined a rough mathematical argument to show how Spirit should not be valued as strongly as common wisdom indicated. The bulk of the criticisms centered on the fact that I was generalizing far too much about other classes without digging into their mechanics to the same extent I have with Druids. And while responding to this comprehensively would require a significant project of theorycrafting other classes more (which, as an aside, is still something I want to get into in MoP), I took something else away from that whole discussion. Which is that, theorycraft aside, there just isn’t much established foundation on the basic logic and philosophy of healer strategy. When talking about questions like regen and throughput, the math arguments tend to be sort of shallow because there isn’t even a mutual understanding of what we’re evaluating and how. So I’ll go as far as I can in this post, and continue to follow up as needed, about what should be going through our minds when we click the green boxes.

Healing Meters: 2 comments

I’m going to present two seemingly contradictory arguments here, each of which (hopefully) has no obvious flaws. Think about how you might reconcile them with each other while you read the rest of this piece, and going forward after that.

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Problems with Food in 50 Shades of Grey

People make a big deal about the food in 50 Shades of Grey, but Ana doesn’t eat much of the gourmet food at all. Instead, she continually loses her appetite after Christian does something unpleasant or distracts her with sex. It’s repetitive to the point of being really uncomfortable to read about.

I made a spreadsheet of all the food and drink references in the three books to make sure I wasn’t selectively reading negative passages and not viewing things clearly.

Food and drink were put into three categories. Page numbers were taken from the e-book, although this is a bit inaccurate as they vary based on the size of the screen:

  • Green: positive, non-angsty descriptions of food.
  • Red: negative descriptions of food/lack of appetite.
  • Blue: references to alcohol (all alcohol was consumed without deliberation or protest).

The overall trend in Book 1 is that while Ana tends to skip meals on her own, she can eat generic foods fine with her friends and family. Her lack of eating intensifies around Christian, around whom she consistently loses her appetite. Since she easily capitulates to his sexual manipulation, the author needs some way of pretending she has a backbone (while retaining pages of sex scenes)–so an attempt at character defiance is shown by her refusal to eat in front of someone who seriously cares about regular meals. While he gets her to agree to sexual things she’s unsure about in his contract, she won’t agree to his request that she eat regular meals.

But because Christian Grey is Right About Everything and Ana is a Silly Woman, this also lets the reader see how conscientious and thoughtful Christian is in caring about food. Right, except all he does is rage about Ana not eating and how he needs to threaten her, then lets her go back to ignoring all the food on her plate because the conversation turns to sex after she suggestively eats one thing.

Another reading is that Ana is a timid heroine in a controlling relationship, who starves herself because it’s the only way in which she can feel in control of her life. She’s easily manipulated by sex, but she makes herself feel better after by defying Grey and not eating. However! This is seen as the most romantic novel of all time, something you read for pleasure, so I’m going to go with “clumsy attempt at characterization” as opposed to “grim portrayal of abusive relationship.”

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Six Years of Bergdorf Goodman Holiday Windows

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I’m not big on Christmas traditions, but every year I look forward to taking pictures of the Bergdorf Goodman holiday windows. While they have creative windows year-round, the holiday ones are particularly special. They make you feel festive without overt red and green displays or holiday props.

Most of the pictures I have are of the five main windows on 5th Avenue. While all three sides of the building have interesting windows, these five are the most elaborate. Sometimes I include pictures of the ones on 58th, such as the 17th century music room from 2005.

The pictures span 2004-2012, with breaks in 2006, 2009, and 2010 for various real-life reasons. For most years, I link to albums with some teaser thumbnails, but 2004’s pictures are a slideshow at the bottom. There’s around 200 total, so enjoy! Continue reading